The Final Formula, by Becca Andre (26:19)
Today we see that when new characters are introduced in the middle of a fight scene, the action interferes directly with the reader’s attempts to compartmentalize the new faces.
Today we see that when new characters are introduced in the middle of a fight scene, the action interferes directly with the reader’s attempts to compartmentalize the new faces.
Today we see that there’s more to telling a story than just stringing together a sequence of dramatic events.
Today we see that when authors manufacture a convenient deduction, the result may feel convenient and manufactured.
Today we see that if the narrative language does not feel natural to the context, it’s hard for the reader to engage with the world.
Today we see that plausibility needs to be more than skin deep.