The Fire Eye Refugee, by Samuel Gately (34:11)
Today we see that if you want your fantastical world to seem “long ago and far away” you should probably stop filling it with “here and now.” What drew me…
Today we see that if you want your fantastical world to seem “long ago and far away” you should probably stop filling it with “here and now.” What drew me…
Too much hinting at secret knowledge can make your protagonist sound like he’s wagging his tongue at you, singing “I know something you don’t know.”