Company Daughter, by Callan Primer (19:14)
Today we see that the secret to creating worlds with character is to create characters with history.
Today we see that the secret to creating worlds with character is to create characters with history.
Today we see that nobody believes in life after death—not really—until they’ve been there many times.
Today I learned that even a story from a genre I don’t particularly care for can survive the treadmill.
Today we see that a character can be believably expert at his job or he can be beaten by an obvious trick, but he cannot be both.