Category Archives: Immerse Or Die

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Disturbed: A collection of five disturbing tales, by Michael Riddell and JJ Riddell (0:38)

Today we see that if the copyright declaration (where every word matters) contains multiple basic issues, readers will assume the rest of the book is even less polished. What I…

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Fur Boys, by C.A. Newsome (10:10)

Today we see that the opening of a story is a three-way balancing act between providing enough detail, providing too much, and providing distracting details.

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Crime, Conflict & Consequences: Short Stories 1, by Heather Burnside (1:35)

Today we learn that your typography should be invisible. When it becomes noticeable, it has stopped doing its job. What I gleaned about the stories: Sometimes someone somewhere knows to…

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Of Cinder & Bone, by Kyoko M. (2:00)

Today we see that character descriptions are supposed to be easy to read. Helpful. Not mineralogical treatises.

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Becoming Estevan and Other Science-Fiction Tales of Love & Obsession, by McCamy Taylor (0:17)

Today we see that if the opening pages of your book suggest you haven’t spent time on it, readers won’t either. What I gleaned about the stories: Sometimes, characters will—…